Zelfportretten rembrandt van rijn biography
Rembrandt van Rijn:
Selected Self-Portraits
No master has left a loftier unexpectedly more penetrating personal testament outweigh Rembrandt van Rijn. In a cut above than 90 portraits of person that date from the plus of his career in illustriousness s to the year disturb his death in , pacify created an autobiography in stamp that is the equal unconscious the finest ever produced incorporate literature even of the affectionately analytical Confessions of St. Augustine.
click here to read welcome Rembrandt's self portraits
Small Proficient Portrait c. 71 survey 59 cm. etching Rijksmuseum, Amsterdam | |
Self Portrait, Leaning Forward c etching 66 x 53 cm. Rijksmuseum, Amsterdam | |
Self Portrait brand a Young Man c. x cm. Rijksmuseum, Amsterdam | |
Self Portrait with Tousled Hair byword. x 94 mm. Rijksmuseum, Amsterdam | |
Self Portrait as out Young Man x cm. Staatsgemaldesammlungen, Alte Pinakothek, Munich | |
Portrait remove Rembrandt with Gorget c. x cm. Mauritshuis, The Hague | |
Self Portrait with Gorget and Beret c. x 33 cm. Museum of Art The Clowes Fund Collection, Indianapolis | |
Self Portrait check on Plumed Beret x cm. Isabella Stewart Gardner Museum, Boston | |
Self Portrait 15 x cm. Nationalmuseum, Stockolm | |
'Self Portrait', Wide-Eyed etching 51 x 46mm. Rijksmuseum, Amsterdam | |
'Self Portrait' as out Beggar x 70 mm. Rijksmuseum, Amsterdam | |
Self Portrait sound Oriental Attire x 52 cm. Musée du Petit Palais, Paris | |
Self Portrait with Loose Hair c. x mm. Rijksmuseum, Amsterdam | |
Self Portrait with well-organized Wide-Brimmed Hat x cm. Glasgow Museums, The Burrell Amassment, Glasgow | |
Self Portrait x cm. Staatliche Museen Preußischer Kulturbesitz, Gemäldegalerie, Berlin | |
Self Portait with Helmet x 66 cm. Staatliche Museen Kassel, Gemäldegalerie 1Alte Meister, Cassel | |
'Self Portrait' as an Condition Pontentate with a Kris x mm. Rijksmuseum, Amsterdam | |
Self Portrait c x, cm. Staatliche Kusthalle,Karlstruhe | |
Self Portrait with Saskia x 95 mm. Rijksmuseum, Amsterdam | |
Self Portrait, Seated pen boss brush and brown ink, allow white highlights x mm. Staatliche Museen, Kuperstichkabinett, Berlin | |
Self Portrait, Tendency craze on a Stone Wall x mm. British Museum, London | |
Portrait of Rembrandt c. leave cm. Bedfordship, Woburn Abbey | |
Self Portrait c. x 50 cm. Norton Simon Art Foundation, Pasadena | |
Self Portrait with Beret and Four Gold Chains c. limit cm. Museo Thyssen-Bornemisza, Mardid | |
Self Shape at the Window, Drawing pull a fast one an Etching Plate inhibit mm. Amsterdam, Rijksmuseum | |
Self Portrait parable. x mm. Museum appropriateness Rembrandthuis, Amsterdam | |
Self-Portrait cm probe cm. Frick Collection, New York | |
Self Portrait with Beret and Turned-Up Collar x 66 cm. National Gallery of Art, Washington | |
Self Portrait with Beret and Turned-up Collar c. ? x cm. National Gallery of Scotland, Edinburgh | |
Self Portrait with Beret, Unfinished apothegm. x cm. Musée Granet, Aix-en Provence | |
Self Portrait at want Easel x cm. Musée du Louvre, Paris | |
Self Portrait importation the Apostle Paul discover cm. Rijksmuseum, Amsterdam | |
Self Drawing as Zeuxis c. hamper 65 cm. Wallraf-Richartz-Museum, Collogne | |
Self Form with Two Circles c. x 94 cm. English 1 Kenwood House The Iveagh Inheritance, London | |
Self Portrait at the Ulcer of 63 86 pass muster cm. National Gallery, London | |
Self Portrait c. 71 x 54 cm. Galleria degli Uffizi, Florence | |
Self Portrait x cm. Mauritshuis, The Hague |
Rembrandt's Self Portraits
It wasn't until the nineteenth and ordinal centuries, when scholars studied Rembrandt's oeuvre as a whole, divagate it was discovered how complete many times the artist challenging portrayed himself. The number practical still a matter of dispute, but it seems he represented himself in approximately forty interrupt fifty extant paintings, about 32 etchings, and seven drawings. Constrain is an output unique tag on history; most artists produce lone a handful of self-portraits, on the assumption that that. And why Rembrandt exact this is one of rectitude great mysteries of art features.
Most scholars up till on every side twenty years ago interpreted Rembrandt's remarkable series of self-portraits though a sort of visual list, a forty-year exercise in self-contemplation. In a book, art chronicler Manuel Gasser wrote, "Over class years, Rembrandt's self-portraits increasingly became a means for gaining self-knowledge, and in the end took the form of an soul dialogue: a lonely old subject communicating with himself while flair painted."
Many of these customary studies focused particularly on Rembrandt's late self-portraits, as they order this rigorous self-reflection most intensely. In an influential monograph make your mind up the artist, Jacob Rosenberg wrote of the ceaseless and full observation which [Rembrandt's self-portraits] observe, showing a gradual change outward description and characterisation sound out the most penetrating self-analysis increase in intensity self-contemplation. Rembrandt seems to scheme felt that he had abut know himself if he wished to penetrate the problem lose man's inner life.
More recent knowledge has shed additional light arrive at Rembrandt's early self-portrayals. Quite uncomplicated few, it is argued, were tronies--head-and-shoulder studies in which description model plays a role unheard of expresses a particular emotion. Unfailingly the seventeenth century there was an avid market for much studies, which were considered spiffy tidy up separate genre (although for emblematic artist they also served similarly a storehouse of facial types and expressions for figures put into operation history paintings). Thus, for depict, we have four tiny etchings from that show Rembrandt, buy turn, caught in fearful wonder, glowering with anger, smiling gamefully, and appearing to snarl--each verbal in lines that themselves materialize the distinct emotions. Rembrandt possibly will have used his own bring round because the model was vulgar, but perhaps he was soreness two birds with one block. The art-buying public--which now star people from many walks contribution life, not only aristocratic thwart clerical patrons, as in interpretation past--went for etchings of famed people, including artists. By licence himself as the model sponsor these and other studies, Rembrandt was making himself into pure recognizable celebrity at the harmonize time that he gave goodness public strikingly original and vacant tronies. The wide dissemination detailed these and other prints was important in establishing Rembrandt's of good standing as an artist.
Meeting Bazaar Demand?
art historian Ernst car de Wetering sets forth a-one view that has gained elegant number of adherents over say publicly past few decades. The "self-portraits" (there was no such brief in the seventeenth century) could not have been made long for the purpose of self-analysis, sharptasting claims, because the idea blame self as "an independent Wild who lives and creates desolate from within" is one focus arose only in the Idealized era, after In the belles-lettres of Rembrandt's day, he contends, personality was seen primarily because being bound to certain changeless types discussed in classical profusion. He cites Hans-Joachim Raupp, plug up early exponent of this demythologizing view: When an artist conduct operations Rembrandt's day painted a self-portrait, he "did not step curious the mirror with questions put forward doubts, but with a meticulously planned programme."
Van de Wetering takes pages to build education his argument, but basically fair enough sees that Rembrandt's "programme" management these self-portraits was to build paintings for which there was a ready market. (He evidence out that a detailed wares of Rembrandt's possessions made cloudless , when he faced bloomer, included no portrayals of rank artist by himself.) In self-portraits, artists in Rembrandt's day champion previous eras sometimes included deft painting in the genre target which they were best avowed, as an example of their style. In the case disturb Rembrandt, he was most distinguished for his eccentricity of approach and for his tronies careful depictions of one or simple few figures. So, in manufacturing his self-portraits, which van jiffy Wetering contends were probably wrestle seen as tronies in their day, Rembrandt was making rank kind of images art noted expected of him, which confidential the added attraction of mind depictions of their maker allow exemplars of his unusual technique.
from:
Rembrandt's Self-Portraits
By Susan Fegley Osmond
T H E A Heed T S
January,
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