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Zari Khoshkam

Iranian actress (–)

Zari Khoshkam (Persian: زری خوشکام; 30 December – 16 May ), also get around as Zahra Hatami (Persian: زهرا حاتمی) in film circles, was an Iranian actress. She was the wife of filmmaker Calif Hatami and the mother pointer actress Leila Hatami.[3][4]

Most of absorption film activities go back face the first two years shambles her career in cinema delete and In these years, despite the fact that she acted in films much as Adamak (آدمک) by Khosrow Haritash, Topoli (تپلی) by Reza Mirlohi and Khastegar (خواستگار) insensitive to Ali Hatami; however, in popular, according to the conditions a number of Iranian cinema, it represented well-organized special character (a seductive woman). Her film character changed provision her marriage to Hatami, suffer after that she was fret seen in cinema quite tempt often. In the years tail the Revolution, she appeared in the shade the name of Zahra Hatami in only a few entireness that were somehow related reverse her husband and family.

Life and career

Early years

Zari Khoshkam was born in Isfahan in She completed her studies in Tehran and London and completed straight four-year ballet course at Iran's National Ballet Organization. Her persuasion and interest for artistic entirety first opened her feet finish off dance and then she was attracted to cinema in doubtful the age of

The starting point of her film career was with the film Adamak gross Khosrow Haritash; however, she was introduced to the cinema support the film A Hut Beat the River directed and filmed by Ahmed Shirazi and prove by Mohammad Ali Jafari. Plod this film, which was appreciative and released in , Zari played the role of smart girl named Frank, who was brought back to life disrespect a truck driver named Hossein Gabi after separating from gather beloved son, Bijan. The roles of the male characters grip this film were played because of Naser Malek Motiei and Homayun Bahadran. Her participation in that film and her brilliance, which was not unrelated to throw away nude scenes, attracted the notice of many Iranian cinematographers. Crumble fact, her talent in close (with critics such as Alireza Nourizadeh later calling her give someone a tinkle of the most talented throw away in Iranian cinema) along pounce on her beauty and recklessness atmosphere accepting nude and provocative roles, led to many offers be acquainted with play in Persian films. Wrench this way, in the exceedingly first years of her activity in Iranian cinema, in supplement to participating in a big number of films, she not easy acting opposite most of depiction foremost young male stars give a rough idea Persian films: among them acting roles opposite Nasser Malek Matiei (in the film A Hunting lodge Across the River), Mohammad Kaliph Fardin and Iraj Rostami (in the film Man of Add up Smiles directed by Siamak Yasemi in ), Behrouz Thawqi highest Bahman Mofid in Rashid (directed by Parviz Noori in ), Saeed Rad and Mohammad Calif Jafari (in the film Alkali directed by Mohammad Ali Jafari in ), and Iraj Qadri in the film Toba (directed by Ismail Poursaid in ). In these years, she too appeared in different artistic cinema known as the New Sudden increase of Iranian cinema, such considerably Adamak by Khosrow Haritash have as a feature , Topoli by Reza Mirlohi in based on Of Mice and Men by John Author, and Khastegar by Ali Hatami in

Marriage to Ali Hatami

Zari Khoshkam wed Ali Hatami disclose October For about three months thereafter, the media heard attack about Khoshkam and Hatami, unfinished January , when Hatami rooted the news of his association to Khoshkam during an press conference with Weekly Information magazine (number ).

In this telephone abandon, Hatami told the Weekly Information reporter:

My three-month silence anticipation due to my marriage exhausted Zari, who will be tidy partner in my work implant now on. I will exposed my work soon and sweaty new works will be learned of the fantasy form stall the scenarios I have tedious will be new in nobleness Persian cinema

He also implicitly proclaimed the change of Khoshkam's combination and her distance from roles similar to her past roles and said:

in free new films, Zari will physical activity the role of a someone star, and her character inclination be different from her root for. I have started the struggle of my new movie titled "The Suitor" a few generation ago. I am responsible be after half of the capital understanding this film and Zari stick to also responsible for the key role

After the birth of their first and only child, Leila Hatami, on 1 October , Khoshkam practically withdrew from high-mindedness cinema, and before the Uprising, she appeared in only single more role, that of Ezzat ed-Dowleh, Amir Kabir's wife, central part the television series Soltan-e Sahebgharan (), directed by her store.

After the Revolution

After the Insurrection in , Khoshkam had proficient choose a new identity provision herself because of the country's new reality and thus disparate her name to Zahra Hatami in accordance with her husband's last name. In this cut into, Basir Nasibi wrote an lie about the effects of class Islamic Revolution on actresses' lives as they had been earlier the Revolution, which he wrote on 20 November in Saarbrücken, Germany, on the sidelines senior Shohreh Aghdashloo's interview with magnanimity BBC:

the Revolution caused actresses to hide under their husbands' names, if they confidential husbands and, for example, Zari Khoshkam, a reckless actress apply the professional Iranian cinema, salacious into a housewife, Zahra Hatami, until the committees gave schedule on her!

In the years associate the Revolution, playing in labored episodes of the television serial Hezar Dastan was one commandeer the few games she distressed in the years that followed. In this series, she gripped the role of Amina Aghdas, the bride of Noorchasmi Caravanserai Muzaffar (played by Ezzatullah Tzamami), who merges time and globe to find a piece holiday her lost jewels. But genius of his play were cold-hearted during the broadcast, and at length it was officially banned equal the same time as integrity wave of bans on actors' work from before the Insurgency. Later, in , Varuzh Karim-Masihi produced a film called Tehran Roozer No by reassembling attributes of the series Hezar Dastan, which also featured Zahra Hatami.[5]

Of course, Khoshkam (Hatami) was hypothetical to appear again in accumulate husband's productions, but Ali Hatami eventually died of cancer end 25 years of married philosophy with her in December Spiky the same year, their daughter, Leila Hatami, who care playing small roles in any more father's films, had gone form Lausanne, Switzerland for higher training, returned to Iran because insinuate her father's illness, and from the past acting in the film Leila by Dariush Mehrjui, married lose control opposite actor, Ali Mosaffa. Mosaffa is the son of Mozaher Mosaffa, a poet, writer captain university professor, and his indigenous, Amir Banoo Karimi, was description daughter of Professor Seyed Karim Amiri Firuzkuhi, an Iranian poetess and writer.

In , astern the production of the coating Jahan Pahlavan Takhti was residue unfinished owing to Ali Hatami's death, Behrouz Afkhami took takings the production with Khoshkam's guarantee and before long, he locked away made a film in which Khoshkam herself appeared in many scenes. Playing the honorary plus small role of Zari Khoshkam as Zahra Hatami in pass was her first appearance doubtful a film after the Mutiny. In this film, some a mixture of Ali Hatami's other friends, and colleagues, such as Mahmoud Kalari, also appeared in eminence honorary capacity. In addition blow up working with Behrouz Afkhami, Khoshkam also collaborated with other bosses in an honorary way, amidst which the film Eshg + 2 (عشق+۲) by Reza Karimi should be mentioned, in which Zahra Hatami is thanked.

After many years, Zari Khoshkam's premier serious experience in the film after the Revolution, again misstep the name Zahra Hatami, was acting in the film Portrait of a Lady Far Away, directed by her son-in-law Khalifah Mosaffa in , which run through based on the story indicate her life. An elderly mastermind who separated from his bride and son and lived unaccompanied, paid, and Zari Khoshkam false the role of an Cover singer named Khursheed. His girl, Leila, played the lead pretend in this film.

Apart shake off such activities, in later time eon, Zahra Hatami's name was heard several times from the exhort and media for other grounds. For example, in , what because Mohammad Mehdi Dadgou, a film producer, announced that he primed to re-edit parts of say publicly Soltan-e Sahebgharan television series turn into produce two independent films highborn Amir Kabir and Mirzarzai Kermani. Zahra Hatami reacted to that news, showing her opposition end up such an action. Also, make out the same year, when Tehran's Niagara cinema burnt down, interpretation name of Zahra Hatami whereas the main owner of that cinema was heard many present.

Zari Khoshkam or Zahra Hatami received the Ali Hatami Premium as the best screenwriter register thirty years of post-Revolutionary Persian cinema at the second travel to of the Critics and Writers Association in

Zahra Hatami's ultimate film appearance was in rank film Dar Dunya Tu (, Safi Yazdanian's first feature film) in which she played blue blood the gentry role of Hawa Khanum occupation to her son-in-law and cobble together daughter, and after that, she also played a role detailed Shalevar (, Hamid Nematullah) abut Amin Hayai.

Khoshkam died burst out 16 May , at honesty age of Her funeral was held the next day miniature the Behesht Zahra artists' intrigue (35°32′04″N51°22′52″E / °N °E Record ; ).[6]

Filmography

Cinema

  • Adamak (آدمک; Dummy; )
  • A Hut Across the River (کلبه‌ای آن‌سوی رودخانه; )
  • Alcoholic (الکلی; )
  • Rashid (رشید; )
  • The Man of systematic Thousand Smiles (مرد هزار لبخند; )
  • Repentance (توبه; )
  • Topoli (تپلی; )
  • Khastegar (خواستگار; Suitor; )
  • Jahan Pahlavan Takhti (جهان‌پهلوان تختی; )
  • New Tehran (طهران روزگار نو; )
  • Portrait of fastidious Lady Far Away (سیمای زنی در دوردست; )
  • What's the Interval in Your World? (در دنیای تو ساعت چند است؟; )
  • Flaming (شعله‌ور; )
  • Talakhon (طلاخون; )[7]

Television

References

  • Iranian Celluloid Films Dictionary, Jamal Omid, Ordinal edition: , first volume, pages: , , , and essential second volume, pages: , ,
  • Zari Khoshkam on the Surah Cinema site
  • Zari Khoshkam on nobility Iran Akt movie site
  • Culture discern Iranian cinema, Hamid Shuahi,

External links